Your editors and asset library
Work in your CapCut, Premiere, Figma, or Drive workflow, and drop files where social and paid already pull from.
Sigi Technologies
Short-form production with a cadence — assets your social owner can publish, not a one-off shoot.
Recognized & reviewed on
Short-form video and stills against a brief — not a backlog of “we should post.”
Formats that match the channel you asked for, inside your brand rules.
Files, captions drafts, and versions your social owner can schedule. No invented view metrics.
This role sits in SIGI Hire Marketing. It is production work, not channel ownership. Calendars, community, and reporting live on Hire Social Media Marketers. Creators make the reels, posts, and short-form those calendars publish.
Social assets are easy to request and hard to keep native. We focus on cuts, captions, carousels, and cover frames that match each platform instead of one static resized everywhere.
Marketing leaders add social media content creators when briefs pile up, short-form volume cannot keep up, or paid is waiting on variants. Related long-form editorial work lives on Hire Content Marketers.
180+
Skilled software engineers delivering excellence
10+
Years of dedicated industry experience
200+
Successful software development projects
80+
Global clients
The creators we place own the social production layer end to end, the way an in-house hire would — with the same reporting duty.
Scripts, cuts, captions, and cover frames for Reels, Shorts, and TikTok that stay on brand and on length.
Single posts and multi-slide carousels written and designed for the feed, not a blog graphic dropped in.
Stories, motion bumpers, and lightweight animation that keep a launch or always-on series moving.
Crops, safe zones, thumbnails, and alt text so the same story lands correctly on each network.
Marketing briefs turned into files in your asset library, with review comments handled in-tool.
Remakes and new cuts from what already engaged, instead of starting every asset from a blank timeline.
Marketing leaders add social media content creators when production volume, native format, or creative variants start blocking the calendar.
How we staff social production
This seat is production. Channel strategy and community sit on Hire Social Media Marketers. Sigi has not published short-form case studies with view or follower figures, so we do not invent them. A creator works to your brand kit and approval path.
If the calendar is empty because nobody is making assets, we embed a creator into your brand and tools. We do not promise view counts.
Hire Social Media Marketers own the calendar and community. Creators produce the reels, posts, and short-form those channels publish.
Hook, cut, caption, and cover work for Reels, Shorts, and TikTok that can ship on a weekly cadence.
Still and multi-slide assets built for the feed, with copy that matches the visual.
Story sequences and launch packs so a campaign has native assets, not one leftover still.
How we work
Social production works best when creators operate inside your brand kit and review system.
Work in your CapCut, Premiere, Figma, or Drive workflow, and drop files where social and paid already pull from.
Follow your visual rules, voice, and legal review so published assets match the bar your team already set.
Deliver in a weekly or campaign batch with briefs, comments, and publish-ready files kept visible.
Production capacity should increase volume without creating off-brand assets or another review bottleneck.
Engagements typically open with one social media content creator owning a single channel or calendar, and scope grows once the first reporting cycle earns trust. Coming in mid-calendar to clear a backlog is a typical first engagement.
Brands and organizations that trust our delivery
How we staff social production roles
Match the model to the program: a standing owner for a channel, a specialist for a launch, or a small pod when several channels have to move at once.
Best for ongoing reels, posts, and weekly short-form batches.
Hire by need such as reels, carousels, or stories and launch kits.
Faster launch outcomes: a creator plus a social media marketer when the calendar and the assets have to move together.
Yes. Joining an existing brand kit, asset library, and approval path is a common engagement.
Marketers own calendars, community, and reporting. Creators produce the reels, posts, and short-form those calendars publish.
Yes. Clearing a backlog and finishing assets already briefed is typical work.
Yes. Engagements typically open with one creator owning a single channel or calendar, and scope grows once the first reporting cycle earns trust.
Creators make the assets. Marketers own calendar, community, and reporting. Some people do both; the pages stay separate so you can staff the gap you actually have.
No. We staff production. Distribution results depend on the channel owner and the platform. We will not invent a view count.
We screen on channel-specific work samples and on how candidates report — not slide decks or promised lifts. A vetted shortlist follows within 3 days, you interview your preferred candidates, and you can start on a two-week trial inside your tools and calendar before committing.